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	<title>iDANZ Today &#187; Bill T. Jones</title>
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		<title>Dance Review: Bill T. Jones, Serenade/Proposition- An Affectionate Farewell</title>
		<link>http://idanztoday.com/dance-review-bill-t-jones-serenadeproposition-an-affectionate-farewell/</link>
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		<pubDate>Fri, 13 Nov 2009 23:27:00 +0000</pubDate>
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				<category><![CDATA[Concert Modern -Jazz-Contemporary]]></category>
		<category><![CDATA[iDANZ Critix Corner -Dance Reviews]]></category>
		<category><![CDATA[iDANZ Features]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Bill T. Jones]]></category>
		<category><![CDATA[iDANZ Critix Corner]]></category>
		<category><![CDATA[Modern]]></category>
		<category><![CDATA[Simone Sobers]]></category>
		<category><![CDATA[The Joyce Theater]]></category>

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		<description><![CDATA[How do you create an original work about a legendary historical figure, in one hour, with ten bodies and the stage as your open canvas?&#160; How do you capture the essence of a single person, through modern dance, who lived a life, made history, and died almost 100 years before you were born?&#160; This is [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><font face="ari" size="3"><a href="http://www.idanz.net" target="_blank"><img title="Bill T. Jones serenade_proposition_4" style="border-right: 0px; border-top: 0px; display: inline; margin: 0px 15px 0px 0px; border-left: 0px; border-bottom: 0px" height="480" alt="Bill T. Jones serenade_proposition_4" src="http://idanztoday.com/wp-content/uploads/2009/11/BillT.Jonesserenade_proposition_4.jpg" width="320" align="left" border="0" /></a> <font face="Arial">How do you create an original work about a legendary historical figure, in one hour, with ten bodies and the stage as your open canvas?&#160; How do you capture the essence of a single person, through modern dance, who lived a life, made history, and died almost 100 years before you were born?&#160; This is the challenge that Bill T.Jones has the sweetest victory in overcoming, in <i>Serenade/The Proposition, </i>an hour-long work commemorating the life of Abraham Lincoln.</font></font></p>
<p><font face="Arial" size="3">Creating meaningful and socially controversial work is nothing new for Bill T. Jones.&#160; However, Jones goes above and beyond to create a connection between one man’s history and our present.&#160; Bill T. Jones work has a human element that stirs your emotions in ways you would never think movement alone could do.</font></p>
<p><font face="Arial" size="3">Tuesday night I had an experience with this aspect of his work as I sat in packed house for opening night at the Joyce Theater&#8230; </font></p>
<p><font face="Arial" size="3">The anxious crowd settles down as the lights dim. The stage is set with six large white pillars positioned upstage and two podiums, one on each downstage corner.&#160; What’s to come is a history lesson unlike any you have had before.&#160; The tone and atmosphere surrounding the piece is set by vocalist Lisa Komara, Jerome Begin (pianist), Christopher Antonio William Lancaster (cellist) and narrator Jamyl Dobson.&#160; The structure of the piece seems to be less of a narrative or biography and more of a widescreen shot of Abraham’s life. </font></p>
<p><a href="http://www.idanz.net" target="_blank"><font face="Arial" color="#000000" size="3"><img title="Real Friends, Real Pros, Real Dancers . . . Only on iDANZ.  Click Here &amp; Join Today!" style="display: inline; margin: 0px 10px 0px 15px" height="280" alt="Real Friends, Real Pros, Real Dancers . . . Only on iDANZ.  Click Here &amp; Join Today!" src="http://idanztoday.com/wp-content/uploads/2009/11/RealFriends3363.gif" width="336" align="right" /></font></a><font face="Arial" size="3"> This piece begins with the company being themselves in the present day, performing to a score of their own voices discussing their feelings on the world.&#160; The way the dancers eat up the space with such humility is what I found to be most breathtaking.&#160; Their focus is internal and they have a very calm way of showcasing their strength, which requires very little effort for such a talented group of artists.&#160; As the piece develops, although the dancers change into a costume more reflective of the 19<sup>th</sup> century, they are still themselves… just coexisting between two worlds, the past and the present.</font></p>
<p><font face="Arial" size="3">Paul Matteson, who embodies the character of Abraham Lincoln, has a striking beauty in his movement from the moment he sets foot on stage.&#160; He has a strong sense of the multitude of ideas and weight of the history his movement must portray and truly embodies this all in an awe-inspiring way.&#160; He has the audience completely tuned into him even as he stands completely motionless on stage for several minutes.</font></p>
<p><font face="Arial" size="3"><a href="http://www.idanz.net" target="_blank"><img title="Bill T. Jones -Photography by Paul B. Goode -serenade_proposition" style="border-right: 0px; border-top: 0px; display: inline; margin: 0px 15px 0px 0px; border-left: 0px; border-bottom: 0px" height="287" alt="Bill T. Jones -Photography by Paul B. Goode -serenade_proposition" src="http://idanztoday.com/wp-content/uploads/2009/11/BillT.JonesPhotographybyPaulB.Goodeserenade_proposition.jpg" width="400" align="left" border="0" /></a> The fabulous five divas of the evening: Asli Bulbul, Leah Cox, Maija Garcia, Shayla-Vie Jenkins, and I-Ling Liu each bring to the table a very individual spirit of fierce that contributes to the magic that makes this piece.&#160; Cox’s organic emotion and movement is magnetic throughout the entire performance.&#160; Duly, Jenkins’ seamless lines and refined quality in her movement makes it hard to keep your eyes off of her. </font></p>
<p><font face="Arial" size="3">Aside from Matteson, LaMichael Leonard, Antonio Brown, Erick Montes, and Peter Chamberlin are the fierce-foursome gentlemen. There is nothing these men do not have:&#160; strength, agility, humble presence, and a perfect mix of being grounded and graceful.&#160; Leonard’s lengthy physique accentuates all of these qualities in a mesmerizing way.&#160; Brown has a stunning fluidity in his movement that creates an eye-grabbing image wherever he is onstage.</font></p>
<p><font face="Arial" size="3">Bill T. Jones ingenuity in being able to create the perfect meeting of history and modern dance is what makes Serenade/The Proposition a truly timeless piece. This is the kind of work that reignites my passion for dance and is a gentle reminder of why I dance.&#160; After seeing <i>Serenade, </i>I can’t help but be filled with gratitude for my craft.&#160; Beyond what words can express, this piece is something you must experience for yourself.      </p>
<p><em>Photography by Paul B. Goode       </p>
<p></em><strong><a href="http://www.idanz.net/iDANZCritixCorner" target="_blank"><img title="CLICK HERE &amp; CONNECT with the Members of the iDANZ Critix Corner!" style="border-right: 0px; border-top: 0px; display: inline; margin: 0px 15px 0px 0px; border-left: 0px; border-bottom: 0px" height="144" alt="CLICK HERE &amp; CONNECT with the Members of the iDANZ Critix Corner!" src="http://idanztoday.com/wp-content/uploads/2009/11/CLICKHERECONNECTwiththeMembersoftheiDANZCritixCorner4.png" width="240" align="left" border="0" /></a> <a title="" href="http://www.idanz.net/idanzcritixcorner">iDANZ Critix Corner</a>        <br /></strong></font><font face="Arial" size="3">Official Dance Review by <a title="" href="http://www.idanz.net/Sim_S">Simone Sobers</a>       <br />Performance:&#160; Serenade/The Proposition -Bill T. Jones/Arnie Zane Dance Company      <br /></font><font face="Arial" size="3">Choreography: Bill T. Jones, Janet Wong, and the company      <br />Venue:&#160; The Joyce Theater       <br />Show Date:&#160; November 10, 2009      <br /><a href="http://www.iDANZ.com">www.iDANZ.com</a></font></p>
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